The Return of the Comic King: Mr. Ashley PNR’s Triumphant Comeback After 20 Year
The Return of the Comic King: Mr. Ashley PNR’s Triumphant Comeback After 20 Years
After more than two decades away from competitive performance, Mr. Ashley Pinard — widely known as “The Comic King” — has made a remarkable return to the stage, securing first place in the Section One Comic category.
Speaking on Back Chat on Bush Radio 89.5 FM, Pinard reflected on his journey back to competition, his purpose beyond trophies, and his renewed vision for the arts community.
At 52 years old, competing against performers largely in their twenties, Pinard’s victory was more than a win — it was a statement.
“Age is nothing but a number,” he shared. “You can achieve the impossible at any stage of your life.”
A Full-Circle Moment
More than 20 years ago, Pinard first made his mark by winning comic titles with D6 Entertainers and Woodstock Starlight. Returning to the same competitive space decades later meant stepping back into a world that had evolved — faster, younger, and more commercially driven.
“It took effort,” he admitted. “These young performers live and breathe this competition every year.”
Yet for Pinard, the victory was never just about reclaiming a title.
“I was sitting in the stadium during the prize announcements and prayed silently: ‘Father God, shock this audience. Show them life isn’t about pride and status — it’s about paying it forward and making a difference.’”
Success Is Never Solo
Pinard emphasized that his win was a collective achievement.
He credited choreographer Blau as a driving force behind the production, praising his creative direction, stage design, and choreography.
“He’s one of South Africa’s top choreographers, but he doesn’t always receive the recognition he deserves.”
He also acknowledged the Baruch team, technical crew, and dancers who helped bring the performance to life.
“This wasn’t a solo prize — it was a team effort.”
A Family Rooted in Purpose
Joining him in studio was his daughter, Shanei, a 24-year-old entrepreneur and CEO of her own events and film company, who also manages her father’s career.
“We were at every rehearsal,” she said. “There were moments we felt overwhelmed, but as a family, we showed up. You’re only as strong as your support system.”
Pinard’s 13-year-old son AJ also competed, earning third prize in the juvenile sentimental category with a performance of I Run to You by Whitney Houston before a crowd of 35,000 people.
“To stand in front of that many people at 13 and deliver — I’m incredibly proud,” Pinard said.
Why He Stepped Away
When asked why he left the competition scene two decades ago, Pinard explained that he was still discovering himself creatively.
Since then, he has built a multifaceted career as:
A film director
A scriptwriter
A radio producer
A studio creative
An MC and comedian
He wrote, directed, and starred in the feature film White Lies, originally intended for Luqman Adams.
“I had to grow beyond competition,” he said. “I had to understand who I was.”
The Bigger Conversation: Opportunity and Culture
Beyond personal achievement, Pinard addressed deeper issues facing South Africa’s creative communities.
He spoke candidly about limited opportunities, slow service delivery, and how many dreams remain unrealized.
“Our graveyards are filled with paintings that were never painted, songs never written, and films never produced,” he reflected.
He also highlighted disparities in digital monetization, noting that while American TikTok creators earn income from streams, many South African artists with large followings receive little financial return.
“Followers are virtual. They don’t guarantee support. Talent must be backed by real infrastructure.”
How the Industry Has Changed
According to Pinard, the competitive arts space has shifted significantly.
“In the past, it was about youth development and showcasing local talent. Today, there’s more money involved, and sometimes big-name artists are brought in at high fees. That can take opportunities away from emerging performers.”
He advocates for year-round development programs, including academies that focus on skills training in performance, production, and digital media — rather than concentrating resources only around competition season.
A New Chapter: Focused and Intentional
Inspired by a heartfelt conversation with his daughter about self-prioritization and growth, Pinard has made a clear decision for the year ahead.
“I’ve spent years helping others build their dreams. Now it’s time to build mine.”
His plans include:
Releasing new music
Producing a live comedy special on YouTube
Launching a theatre production
Competing for additional awards
“I don’t want to die a number,” he said. “I want to die a brand.”
Legacy Beyond Awards
Despite his ambitious plans, Pinard says his greatest goal is deeply personal.
“My biggest achievement before I leave this earth would be to truly love someone and experience genuine love in return.”
For him, success is not measured solely by trophies, titles, or applause — but by impact, authenticity, and connection.
Mr. Ashley Pinard’s return to the competitive stage is more than a comeback story. It is a reminder that purpose evolves, growth never expires, and age does not limit potential.
As heard on Bush Radio, his message resonates clearly:
Stay rooted in culture. Invest in youth. Build legacy.
And above all — never stop becoming the best version of yourself.
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